Irvine Welsh’s Crime: A Detailed Critique of Christopher Stevens’ Review
Irvine Welsh’s Crime has been a topic of discussion since its release, with critics offering mixed opinions on the series. One such review that caught the attention of many was Christopher Stevens’ assessment. In his review, Stevens paints a rather bleak picture of the show, labeling it as a joyless hour with a trans-friendly, nettle tea-drinking Rebus rip-off. Let’s take a closer look at some of the key points raised in his review and delve deeper into the world of Irvine Welsh’s Crime.
Similarities and Differences with Rebus
Stevens draws a parallel between Irvine Welsh’s anti-hero DI Ray Lennox and Ian Rankin’s DI John Rebus, highlighting the striking similarities between the two characters. Both are cynical alcoholics, maverick cops hunting killers in Edinburgh, and are emotionally damaged and single. They are regarded with a mixture of resentment, reverence, and suspicion by their colleagues. Lennox, much like Rebus, relies heavily on a junior, female partner who is rising through the ranks, thanks to their mentorship. Both characters loathe corruption and let their obsession with unsolved cases dominate their lives. However, Lennox’s family background differs from Rebus, with a more affluent upbringing compared to Rebus’s working-class roots.
Nettle Tea and Trans Rights
One of the more notable differences highlighted by Stevens is Lennox’s affinity for nettle tea and his ostentatious support for trans rights. This aspect of the character adds a layer of complexity and modernity to Lennox, contrasting with the more traditional and rugged persona of Rebus. Lennox’s willingness to embrace change and advocate for tolerance in society reflects a shift in attitudes and values, making him a more progressive and forward-thinking character. The inclusion of these elements in Lennox’s character adds depth and richness to the narrative, exploring contemporary issues and themes.
The Wokery and Gore
Stevens points out the juxtaposition of ‘wokery’ and gore in Irvine Welsh’s Crime, noting that the combination creates a somewhat joyless viewing experience. The series navigates between themes of social justice and graphic violence, presenting a stark contrast that may not resonate with all viewers. The blend of moral righteousness and brutal crime scenes can be jarring, highlighting the complexities and contradictions within the narrative. While some may appreciate the show’s attempt to address pressing social issues, others may find the graphic content off-putting. It’s a delicate balance that Irvine Welsh’s Crime attempts to strike, with varying degrees of success.
The Cast and Performances
One aspect of Irvine Welsh’s Crime that receives praise from Stevens is the cast, with standout performances from Joanna Vanderham, Ken Stott, Laura Fraser, and Rebecca Root. Vanderham shines as Lennox’s sidekick, DS Drummond, bringing depth and nuance to her portrayal of a dedicated police officer navigating personal struggles. Stott’s portrayal of the chief super adds gravitas to the series, while Fraser’s role as Lennox’s therapist offers a different perspective on the character’s inner turmoil. Root’s performance as Lennox’s formerly male police partner, now a college lecturer, adds a layer of complexity and authenticity to the narrative. Derek Riddell’s portrayal of an oily politician adds a sense of menace and intrigue to the story, showcasing the talent and range of the cast.
Final Thoughts on Irvine Welsh’s Crime
In conclusion, Irvine Welsh’s Crime is a complex and multifaceted series that tackles a range of themes and issues. While it may draw comparisons to Ian Rankin’s Rebus series, Irvine Welsh’s creation stands on its own, offering a fresh perspective on the world of crime fiction. The inclusion of progressive elements such as support for trans rights and discussions of social justice adds depth and relevance to the narrative, making it a compelling and thought-provoking watch. Despite its moments of darkness and graphic violence, Irvine Welsh’s Crime is a bold and ambitious series that pushes the boundaries of traditional crime drama. It may not be to everyone’s taste, but for those willing to delve into its murky depths, there is much to uncover and explore.
